Have you ever attended a carnival and experienced the rides, exhibits, and games of skill? Did you observe the people who worked there and wonder what stories they had to tell? I wasn’t curious about such things when I was young; I just gleefully participated in the rides and the midway. I also chowed down. What did I care how they made candy apples? But later, I did wonder about things like hitting a device with a large mallet just to ring a bell and win a prize. And why did they call the carousel a merry-go-round? And what was it like working at one of these places? What kind of special skills were required? Continue reading “Afternoon at the Carnival World Museum”
Blog Postings
Paddling with One Oar
Sometimes the only way out of a creative fix is to think on your feet.
You’re on video assignment, either for yourself, as a favor for somebody else or — more seriously– for a paying customer. Let’s make it interesting. You’re a ways from home. What do you do if something goes wrong? Give up? Reschedule? No. You figure out if there is a way around the problem while you’re there.
You think on your feet.
I was doing a video featurette on Unique India, a combo Indian grocery/restaurant in my neighborhood. I have two lavalier clip-on mics that are supposed to work together with my Osmo Pocket 3 video camera. Two mics are useful for interviews, when I want to record both myself and my subject. One mic was older and more finicky than the other. When I turned on my equipment, only one mic worked with the camera; the other refused to pair with it. It was only later that I figured out why, but for now I was paddling with one oar. Although the well-behaved mic was working great when attached to the subject, I knew it would not be enough to capture my voice too, without muddying it as I spoke at the periphery.
I decided to proceed anyway. I’d just have to deal with my enfeebled voice later through video editing software. There are ways of doing that.
The second problem arose when Sujatha Byanna, the owner, stated that she felt uncomfortable appearing in the video. She wasn’t dressed for it. I guess I hadn’t been clear before, when I said I was going to shoot a video of her store. She didn’t realize she was to be the star.
But I had to have someone appear. What did I do?
I negotiated. I asked if there was an employee who’d appear and represent her. She found a willing assistant, who proved to be intelligent and articulate. She is the one you now see on the video.
I wanted the owner to have some input, so she agreed to speak without appearing. She responded well to my questions. Unfortunately, as expected, my un-miked voice came out muffled, so I just eliminated it. I was not needed. In lieu of her appearing, I filmed B-roll, quick shots of the store, like the restaurant and the well-stocked aisles.
I never like having to make such adjustments, but when you’re working, the real world can be cantankerous.
That is when you think on your feet. It’s a combination of negotiating and discovering ways out of morasses. It’s an acquired skill, so don’t expect to be able to do it right away. But keep at it and you’ll be able to minimize any difficulties that rear their impish heads.
“Those Dirty Movies”: Sex Ed Films in the Fifties
How did you learn about sex? Were you like many children in the United States in the ’50s and ’60s who just sort of pieced it together aon your own? Nobody told you much– much that was useful, that is– and sometimes they even discouraged you from learning anything they considered shameful. Like masturbation. Or nudity.
Even if you’re a boomer, you may not remember this. There was a famous sex education documentary produced in 1947 called Human Growth. This short film was shown in many public schools for years. It was written by Dr. Lester F. Beck, a professor of psychology at the University of Oregon. He wanted to promote healthy sexuality and family life. The film was even issued in a revised version in 1962.
It has a narrative structure. It’s set in a middle school classroom where the class is discussing a movie about adolescent sexual growth. Sort of. But first, it begins in a family living room. The boy is reading his geography book, but something’s odd The native women have shrunken breasts. No nudity here, at least nothing real. It didn’t matter that most adolescents encountered their first nudes within the pages of National Geographic, and they were in sharp black and white. The magazine sometimes contained topless natives from the global south. It could get away with displaying nudity then because they weren’t white.
They rendered female anatomy sexless. This artistic decision was as intentional as the movie’s harmless title, Human Growth.
Despite these and other cautious editorial decisions (detailed in the video below), Human Growth still encountered noisy backlash from conservative and religious groups. Christians argued against it. A 1952 article in The Catholic World criticized the film, stating, “The presentation of such material to young children is a violation of their innocence and a usurpation of parental authority.”
Why did this happen? Consider the times. Remember, this was the McCarthyite fifties. Comic books with risqué covers were being lambasted in the halls of Congress during Senator Kefauver’s Subcommittee on Juvenile Delinquency. Such a climate made it easy to snatch Human Growth screenings from school rosters, due to pressure from local politicians and right-wing community groups. One midwestern school board voted to ban the film after a heated public meeting. A board member complained, “This film is not suitable for our children. It crosses a line that should not be crossed in a public school setting.”
Human Growth wasn’t the only sex education film screening back then. Smaller companies also released them. A few were even banned, like Dr. Sigmund Winston’s Masturbation: Putting the fun in self-loving. Others were aimed at particular audiences (like only girls) and sometimes veered into the outright bizarre (see below).
Even though the 1962 version of Human Growth came out when I was a mere 15, I never saw it. It did not screen at my school. There might have been too much guff from parents about “inappropriate language in classrooms.” I even overheard one conversation between my mother and a neighbor. Both agreed with what they’d read in the local newspaper, probably the Danvers Herald. “It’s instruction best left for the home.” As if that “instruction” ever occurred in family gatherings.
There’s plenty of blame to go around for the dearth of sexual education during this period, and perhaps even now. Call them what you like — Republicans, Christian nationalists, or just standard hidebound conservatives.–they appear to have won this round in the sex education struggle. Even at that, some sexual information has managed to squeeze through. It’s more likely that the average male does know what a clitoris is and approximately where it is.
They’re just not clear on how vast it is.
The Day I Deceived ChatGPT
For his upcoming birthday, I decided to honor the memory of the great photomontage creator John Heartfield (19 June 1891 – 26 April 1968). He was a true anti-fascist artist at a time in Germany when it was extremely dangerous to be so. I wanted to do a videomontage similar in spirit to his photomontages. One that mocked a particular virulent authority figure. One like this one.

Before You Film a Video Reel, Do This
A video snapshot is not just about showing something interesting; it’s about making the viewer feel something. It doesn’t require fancy editing or a viral hook—it simply captures a clear, defined impression. Think of it as the video equivalent of a short story.
Have you tried shooting video reels yet? You might have without knowing it. Or you may think that you have, but you really didn’t.
What Is a Video Reel vs. a Video Snapshot?
Although the terms are often used interchangeably, there’s a subtle but important distinction between video reels and video snapshots. Reels are flashy, fast-cut compilations set to music or trend-driven audio, often more style than substance. In contrast, a video snapshot is a mini-story—intentional, emotionally resonant, and grounded in a meaningful moment.
In high school, I was taught that a short story is “a brief prose narrative of dramatic value, so constructed in plot, character, and setting as to produce a single emotional effect.” That’s essentially what a video snapshot is: a short (no more than sixty seconds) video that leaves the viewer with a clear emotional impression. It doesn’t have to have a plot, but it must be about something. It has to produce a singular effect.
For example:
- A student walks across the stage to receive a diploma, waves to their parents, and walks off. It’s familiar and simple, but undeniably effective. That’s a video snapshot.
- A man rides a horse for two straight minutes through a forest. It’s nicely filmed, but ultimately goes nowhere. Without added narrative or a twist, it lacks the emotional core to qualify as a video snapshot.
A snapshot is more than a portrait or a pretty scene. It’s not just a visual record—it’s a moment with weight.
How to Get Inspired to Create Video Snapshots While Traveling
Travel has potential for video snapshots, but capturing one requires you shift from documentation to storytelling. Ask yourself:
- Is there an emotional arc here?
- What’s unique about this moment?
- Will the viewer walk away with a clear feeling?
In the compilation linked below, you’ll see several examples I filmed in Savannah, Georgia. Some involve people, others highlight street scenes—but all are tied to something unique and specific.
One clip shows a young man practicing a rap performance at a train station. I asked to film him, and he performed on the spot. He even sold me his book afterward. The quality of his performance wasn’t the point; the emotional authenticity was.
At the SCAD Museum of Art, I filmed a mother trying to photograph her daughter. The frustration of trying to get the right shot was palpable. I switched to hyperlapse mode to capture that frenzied energy.
In Lafayette Park, I filmed a walking path scene with the Osmo Pocket 3. While the movement could’ve been smoother, the clip ends with two “kicker” shots to provide a satisfying ending.
Also notable was that visit to a tea shop, where the barista’s enthusiasm about her gold rings and international tea experience stole the show. I should have interviewed her, but I was too wrapped up in the tea I was ordering. Lesson learned: Always stay alert to potential stories, even when you think you’re done filming.
Final Thoughts
If you want to pursue the dynamic new art of video snapshotting, never squelch yourself. Even if you’ve shot plenty, even if you’re tired, keep that camera rolling. Inspiration can strike anywhere. The trick is to stay open to it.
In a future video, I’ll go into more technical details on how to film a video snapshot and format it properly for publication to social media.
Our Seniors are Revolting
I came upon Bolivar, one long morning,
in Madrid, at the entrance to the Fifth Regiment.
Father, I said to him, are you, or are you not, or who are you?
And, looking at the Mountain Barracks, he said:
"I awake every hundred years when the people awake."
When I first read these lines by Pablo Neruda in the late 1970s, they struck deep. I instantly agreed with Bolivar’s ghost: “I awake every hundred years when the people awake.”
Neruda wasn’t being snarky. He was a true man of the people. He was just exasperated with them for not fomenting rebellions as frequently as they should. Continue reading “Our Seniors are Revolting”
Nerve-Wracking Ride to the Abortionist
My neighbor Danny’s front yard isn’t that big, maybe a thousand square feet, but every night dozens of kids manage to squeeze onto it. Guitar strummers, recorder tooters, cigarette bummers, portrait-sketchers, frisbee tossers, Screaming Yellow Zonkers eaters, dueling radio owners, horny lover gropers.
My First Diaphragm
August 30, 1968, 5:00 PM
This week doesn’t start out so lucky. But it sure ends that way.
I meet PK.
More Nudity, Not Less
And more talk about sex.
Frankly, I expect more.
I live in Sun City Center, a large retirement community in Tampa Bay, Florida. Granted, we’re in a conservative region, primarily Republican voters. But technically, it is at the outer edge of the Bible Belt, whose feathered border is considered “somewhere near Orlando.” Progressive ideas would be more welcome here. Or so I thought.
Continue reading “More Nudity, Not Less”Don’t Say the A-Word! Part II: Shameless
In Don’t Say the A-Word! Part I, I noted that most mainstream films skirt the abortion issue entirely. Only a few recent films have handled this topic realistically, reflecting what young people face when confronted with unwanted pregnancy.